''My own struggle to understand cosmic history could be described as a journey to understanding the sublime. A place we can imagine, that doesn’t have to involve ourselves. A place so vast in scale it becomes abstract in its aesthetic nature. I think this is the experience I have in the good moments when making my ‘’paintings’’. I am not trying to organize anything except the painting's own characteristics, and these emerge in time out of the process. I guess you could call it an emergent aesthetic of abstract complexity. It's a moment, or evidence of a moment that was experienced . Then it collides with itself and the rest of the world and becomes something very different.''